Erik Satie (1866-1925)

• Manière de commencement 4’04
  (Extracts from Trois morceaux en forme de poire pour piano à quatre mains)

Claude Debussy (1862-1918)

• Lindaraja 6’09

Maurice Ravel (1875-1937)

• La Valse 11’49

Claude Debussy

• Prélude à l’après-midi d’un faune 8’35

Maurice Ravel

• Sites auriculaires : Habanera 3’06

Claude Debussy

La Mer (Transcription: André Caplet)

• De l’aube à midi sur la mer 8’10
• Jeux de vagues7’57
• Dialogue du vent et de la mer8’12

Erik Satie

• First Gymnopédie 3’16

Vanessa Wagner

Described by the daily newspaper Le Monde as ‘the most delightfully individual pianist of her generation’, Vanessa Wagner pursues a career in her own image, rigorous, original and committed, mixing classical recitals, contemporary creation, performance on historical instruments, and chamber music.

Over the past few years, she has instigated numerous transversal collaborations and creations, reaching out to electronic music, dance, video and poetry.

Ever since winning a Victoire de la Musique in 1999, she has performed all over the world, as soloist or with orchestra, at the leading festivals and as a regular guest of concert halls that are faithful to her year after year.

She is deeply committed to the music of her time, and is the dedicatee of several pieces by such composers as Pascal Dusapin, François Meïmoun, Amy Crankshaw and Alex Nante.

Vanessa Wagner’s extensive discography has received many distinctions from the specialised press, which acclaims her sober, eloquent playing, her intense sensibility and her richly expressive touch.

Her broad and constantly renewed repertory is the mirror of an ever-alert personality, patiently weaving bonds between worlds that are too often shut off from each other.

Since 2010 Vanessa Wagner has been director of the Festival de Chambord, where she devises an eclectic programme. She was appointed Chevalier de la Légion d’Honneur in 2020.

Wilhem Latchoumia

Wilhem Latchoumia is a highly unusual kind of pianist, equally successful and charismatic in contemporary music and the mainstream repertory. The French musician is known for his skill in devising programmes that venture well off the beaten track and his ability to create an immediate and joyful rapport with audiences.

He pursues a brilliant career as a recitalist, concert soloist and chamber musician in France and on the international scene, where he appears in the most prestigious venues. He works with the leading French orchestras and with other international formations of the front rank. His taste for contemporary music has earned him the favour of such composers as Pierre Boulez, Gilbert Amy, Gérard Pesson, Philippe Hersant, Michael Jarrell, Jonathan Harvey, Pierre Jodlowski and Francesco Filidei.

Born in Lyon in 1974, Wilhem Latchoumia studied in the class of Eric Heidsieck and Géry Moutier at the Conservatoire National de Musique et de Danse of his native city, where he obtained his Premier Prix with congratulations by unanimous decision of the jury. He completed his training with Géry Moutier in the postgraduate class in Lyon, then became a student of Claude Helffer and attended masterclasses by Yvonne Loriod-Messiaen and Pierre-Laurent Aimard. He also holds a bachelor’s degree in musicology. Having received awards from the Hewlett-Packard Foundation (‘Musicians of Tomorrow’, 2004) and at the twelfth Montsalvatge International Contemporary Music Competition (Girona, Spain), he achieved dazzling success at the Orléans International Piano Competition in 2006, where he won the Premier Prix Mention Spéciale Blanche Selva and five other prizes.