LDV101

22 DVOŘÁK The third movement, Molto vivace, is a scherzo in F major with a vigorous, dancing rhythm in which the accent usually falls at the most unexpected point, on the second or third beat of the bar. The whole movement exudes a strongly exotic flavour, with its abrupt rhythms and bold tonal combinations. Led by the first violin, it is founded on a single theme, with an imitation of the call of the red tanager, a species of local warbler, in the middle. An excursion into F minor announces the key of the trio section, before we revert to the festive mood of the opening. The Finale: Vivace ma non troppo is a rondo in F major, brimming over with energy and gaiety, its main theme proving irresistibly lively. The first violin leads the way, while the rhythmic accompaniment appears to be a stylisation of Native American drumming. The whole movement is filled with elation, except for the central Meno mosso section, assigned to the cello, which raises its baritone voice in a brief imitation of a chorale, more solemn and religious in its inspiration, and doubtless a reminiscence of the Spillville church where Dvořák played the organ. The lively atmosphere soon returns, offering the first violin a song on the G string in imitation of a Black soprano voice, and leading up to a coda, a wild climax bursting with radiance, exuberance and optimism.