LDV200

TWO SIMPLE MIRROR FUGUES XII/1. Triple time - four voices throughout: XII/2. Triple time - four voices throughout: XIII/1. Triplets - three voices throughout: XIII/2. Triplets - three voices throughout: FUGUE ON B-A-C-H. CONTRAPUNCTUS XIV. UNFINISHED XIX. Four voices throughout. Four subjects intended. FOUR CANONIC FUGUES XVI. Two voices throughout. Canon at the tenth: XIV. Two voices throughout. Canon at the fourth below, in augmentation and contrary motion: XV. Two voices throughout. Canon at the octave: XVII. Two voices throughout. Canon at the twelfth: First entry – Subject Rectus Last entry – Subject transformed Rectus First entry – Subject Inversus Last entry – Subject transformed Inversus First entry – Subject transformed Inversus Last entry – Subject transformed Rectus First entry – Subject transformed Rectus Last entry – Subject transformed Inversus Subject with rhythm altered Inversus Subject ornamented Rectus Subject ornamented Inversus Subject ornamented Rectus ANDRÉ ISOIR 31