LDV200

FOUR SIMPLE FUGUES I. Four voices throughout: III. Four voices throughout: II. Four voices throughout: IV. Four voices throughout: THREE STRETTO FUGUES WITH MIRROR EXPOSITIONS VII. Four to five voices. Principal subject in augmentation and diminution: V. Four to six voices: VI. Four to seven voices : FOUR DOUBLE AND TRIPLE FUGUES X. Four voices throughout. Two subjects: IX. Four voices throughout. Two subjects: VIII. Three voices throughout. Three subjects: XI. Four voices throughout. Three subjects: First entry – Subject Rectus Last entry –Answer Rectus First entry –Answer Inversus Last entry – Subject Inversus First entry – Subject Rectus Last entry – Subject Rectus First entry – Subject Inversus Last entry – Subject Inversus First entry – Subject diminished Rectus Last entry – Subject augmented Rectus First entry – Subject Inversus Last entry – Subject Inversus and Rectus First entry – Subject ornamented Inversus Last entry –Answer ornamented Inversus First entry – Subject ornamented Inversus Last entry – Subject ornamented Inversus First entry – Subject augmented Rectus Last entry – Subject augmented Rectus First entry – Subject transformed and diminished Inversus Last entry – Subject transformed and diminished Inversus First entry – Subject transformed and diminished Rectus Last entry – Subject transformed and diminished Rectus 30 BACH_THE ART OF FUGUE BWV1080